Mon 03 Apr 2006
John and Azusa
John portrays Azusa in Yanaka.
Fabulous array, great color, great framing.

Mon 03 Apr 2006
John portrays Azusa in Yanaka.
Fabulous array, great color, great framing.
Sat 11 Mar 2006
Derek Young posts a series of photographs his grandfather took of Kennedy’s funeral as broadcast on television:
My grandpa used his camera to capture what appears to be the funeral of JFK as it appeared on television from the comfort of his living room. To me, this is a particularly poignant way to see an event. [...]
Thu 15 Dec 2005
The lighting and colors in this series by 野糞日和 makes the scenes look like they’re from a model train set. They’re outdoors but they look like they were taken indoors with color film balanced for sunlight. The only technical detail included with these pictures is “Nikon PC 35mm f/2.5;” the photographer was trying out a [...]
Mon 22 Aug 2005
The figures in Paul Russell’s Cliffs, West Bay seem to be standing in front of a matte painting. The atmosphere gives clues to relative spatial depth, but the background here seems particularly flat, creating the illusion.
Thu 18 Aug 2005
Look carefully at the unusual lines and slope of the street, up and away from the viewer, and the equally odd, ludic sideways drift of the figure in Alex Sologubenko’s June 2005 / 09 Zurich.
Sat 30 Jul 2005
Julian Thomas reworks his impressions of places into ‘When memory…‘ Every act of remembering changes our memory. We take different images and reconstruct them into new wholes.
Fri 29 Jul 2005
John points the way over to Square America.
I’m very interested in this concept: how photography allows people to make great art by accident. Whenever people show me their snapshots, I always pick out the ones that work the best photographically. These usually turn out do be the worst ones on the depictive level. For example, [...]
Tue 19 Jul 2005
Salgado again finds this fragile, broken world in the Serra Pelada gold mine.
Sun 17 Jul 2005
An awesome photograph of an iceberg by Sebastião Salgado is daunting and fearful.
I wasn’t familiar with Salgado before seeing this series, so I’m now exploring his earlier studies of migration.
Link from Photoethnography.
Sat 02 Jul 2005
The texture of the keys in still playing by your waitress photos loose the photographic illusion of depth. They’re quite ironically like something from a Gerhard Richter painting.